Ryuichi sakamoto rain
![ryuichi sakamoto rain ryuichi sakamoto rain](https://html.pdfcookie.com/02/2019/11/09/eyv8m8j951l1/bg1.jpg)
with Olaf Bender and Frank Bretschneider, and in 2000 adopted the pseudonym Alva Noto to distinguish his growing body of audio work from his visual artwork.
![ryuichi sakamoto rain ryuichi sakamoto rain](https://musescore.com/static/musescore/scoredata/g/6b4ec1a042d3557375e6f199ff75195295e7b41b/score_0.png)
In 1996, he founded music label raster-noton. Born in 1965 in Karl-Marx Stadt (now Chemnitz) in former East Germany and currently based in Berlin, Nicolai studied architecture and landscape design at the University of Technology, Dresden.
#Ryuichi sakamoto rain free#
This creative endeavor is the realization of the Glass House’s highest aspiration to be a site where artists are free to experiment and create, thus continuing the rich legacy of art patronage of the original occupants, Philip Johnson and David Whitney.”Īrtist Carsten Nicolai explores the intersection between art, science, and sound. Their innovative use the house as an instrument expands how we perceive and experience architecture. The Glass House was pleased to reunite Sakamoto and Nicolai, to momentarily be the locus of their creativity. “The evening was a celebration of art and friendship.
![ryuichi sakamoto rain ryuichi sakamoto rain](https://i.ytimg.com/vi/MXhn7Uqczgs/maxresdefault.jpg)
The performance was organized by Irene Shum, inaugural Curator and Collections Manager of the Glass House. Both Sakamoto and Nicolai intentionally and masterfully played up the inherently resonant quality of glass, and the entire structure reverberated with sound. The pair improvised in what could be described as an intuitive call and response manner. Similarly, Nicolai played two sets of high and low octave crotales with a horse hair bow. Contact microphones were attached to the surface of the Glass House, and using his fingertips and palms, as well as various weighted gong mallets with rubber heads that were gently but firmly dragged along the surface of the glass, Sakamoto transformed the Glass House into an instrument, creating wistful sounds of contemplation, hope, and longing. Rehearsing only one day before, Sakamoto and Nicolai experimented with a keyboard, mixers, singing glass bowls, crotales, and the architecture of the Glass House. A sudden rain storm that forced the evening’s guests into the Glass House at the start of the performance, cleared into an intense red and pink sunset, concluding in nightfall. The emotional drama of the 45-minute performance was echoed in the natural environment. The haunting soundscape created by Sakamoto and Nicolai at the Glass House is captured in film by Derrick Belcham. This intimate evening brought the artists together, who had not collaborated live since Sakamoto’s cancer diagnosis and treatment in 2014, to experiment and to create a new work. Renowned composer, musician, and artist Ryuichi Sakamoto reunited with creative partner Carsten Nicolai, who performs as Alva Noto, for a private performance for a small group of their friends at the Glass House in New Canaan, Connecticut.